Cage gives an interesting, if gonzo, performance as the alien invaders find new and visually stunning ways to infect and alter the bodies and minds of their hosts.Īs returns to form go, they don’t get much better than Stanley’s work here. Moreau, Color is based on Lovecraft’s short story and stars Nicolas Cage as Nathan Gardner, a father who joins his family in a battle against a mutant organism from space after a meteor crashes down on their farm’s front yard. Stanley’s first movie since 1996’s infamous bomb, The Island of Dr. The director’s constantly grim and humorless tone gets in the way of exploring these interesting concepts through characters that audiences can relate to, with the end result being a movie full of deep and rich thematic ambitions that comes up unfortunately shallow with its ability to resonate beyond its trappings as a sci-fi body horror hybrid.Ĭolor Out of Space is Richard Stanley’s love letter to Lovecraftian horror and old-school, 1950s, drive-in sci-fi. Possessor is a movie full of great ideas that never fully captures or executes their potential. When the side effects from her successful career as a puppeteer of surrogate killers start to take a toll on Vos’ psyche, she is drawn into a complicated web of sex, duality, and practical (and bloody) visual effects. Possessor follows corporate assassin Tasya Vos (Andrea Riseborough), who uses brain implants to inhabit other people’s bodies and will them to commit assassinations in service of the company that employs her. Halloween may not seem like the perfect time to revisit Aliens or Ripley's first battle with her greatest enemy, but if you need a break from Freddy, Jason and Michael, then put all the lights on in your house and check out these sci-fi scare-fests.ĭavid Cronenberg’s son, Brandon Cronenberg, writes and directs this underrated 2020 psychological horror film set in the near future, a movie that uses its over-the-top premise to provoke more than entertain. This then-unique approach to the material allowed the writer-director to elevate both the horror and sci-fi genres by ratcheting up the emotional stakes for Ripley as well, as our hero struggles to save herself and her surrogate daughter, Newt, from the galaxy’s equivalent of high-octane nightmare fuel. Cameron’s action-horror hybrid sparked a new (and terrifying) sci-fi genre when it brought Ellen Ripley ( Sigourney Weaver) back to the big screen after a seven-year absence, where she was joined by a team of colonial space marines to combat a horde of acid-bleeding xenomorphs and their lethal Queen.Ĭameron maintained the gritty, blue-collar aesthetic from Scott’s original film while giving the sequel a strong dose of adrenaline-fueled action mixed with intense scares. Aliens is one of those sequels few would begrudge you for thinking is better than the original.Īlien (1979), Ridley Scott’s frightening and claustrophobic trip into space with the crew of the Nostromo, is still the Alien franchise’s scariest movie, but James Cameron’s blockbuster sequel - released 35 years ago this year- is the series’ most thrilling entry.
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